![]() However, there are times when this can be done by accident, so just be careful when using the lens. It’s a nice change, and one that we greatly appreciate. While most lenses need to be switched to MF mode via the menu system, this lens lets you do it by pushing/pulling the focusing ring. Ease of Useįor the most part, you’re slapping the lens onto the camera, focusing and shooting. The bumps that it encountered surely let us know that it’s worth the build when everyone and their mother floods Union Square and squishes against one another. Though we didn’t run this lens under water or take it out into the rain, it surely survived commuting around the NYC subway system with it strapped to my side. When reversed, the hood covers the focusing ring area and the push/pull mechanism is pretty much not able to happen because you can’t get a good grip on it. With the hood attached, the lens becomes a bit larger–and for what it’s worth we’d prefer it to be attached. When the camera doesn’t have IS, the lens does all the work. When activated with a camera that has image stabilization, the two will work together. The switches are a focus limiter and OSS activation. This is one of Sony’s first lenses to incorporate this. The focusing ring moves forward and backward to enable manual or autofocus focusing. Move to around the top and where we can spot the focusing ring, switches, and a little button right by the G designation. ![]() We start our ergonomics tour with the front of the lens where we can find a 62mm filter thread. On the outside, it feels like a metallic tube with buttons and switches–and that’s because it pretty much is. The Sony 90mm f2.8 Macro G OSS is a lens that seems very much designed like other macro lenses–and it essentially is. Taken from the B&H Photo listing of the lens PerformanceĬomparable 35mm Equivalent on APS-C Format Focal Length: 135 mm We tested the Sony 90mm f2.8 OSS with the Sony A7 and the Sony A7r Mk II along with the Paul C Buff Einstein E640 monolight. Perhaps this was done specifically for portraits, but you’re mostly going to rely on the capabilities of the Sony sensors–which are very good. The colors just aren’t there compared to many of Sony’s other lenses.At last, a focusing scale that actually work!.In fact, it’s about on par with a DSLR lens designed for the same purpose. Internal focusing design, and one that is pretty small for what it is.Sharp performance, again in most situations.But it also has one other really cool feature. Speaking of the design, this lens has internal focusing–which means that it doesn’t become larger as it focuses closer to a subject. ![]() With 9 aperture blades and 15 elements in 11 groups, this lens also features a bit of weather sealing in its design. ![]() Doubling as a portrait lens and effectively giving the system two fast aperture portrait options, the 90mm f2.8 OSS features optical stabilization that works in conjunction with the camera’s system and also for the A7 cameras that do not have stabilization. As a result of the excellent image quality and high luminosity, the macro lens has also proved a popular choice for portrait photography.As Sony continues to build out its lineup of FE-mount lenses, something that they’ve been missing is a macro lens–and the 90mm f2.8 Macro G OSS is their answer. It is thus ideal for close-up photos of animals and plants, as well as for still life photography. This lens offers a 1:1 magnification ratio to enable you to focus in on even the smallest details. The designation “Di” (Digitally Integrated Design) marks a generation of lenses, which have been specially adapted to the higher requirements of digital SLR cameras (APS-C and full frame). February 2008 is only compatible with the D40/D40X/D60 in the MF mode due to the fact it doesn't have a built-in motor. The 272EN model which had been available up until apx. Please note: The 90mm is now available with a built-in motor for the Nikon D40, D40X and D60 (Model A272en II). * SP (Super Performance) - This lens belongs to the Super performance (SP) class of Tamron lenses distinguished by ultra high optical and mechanical quality. The new version can be also be used on full frame or 35mm cameras. The Tamron 90mm is often called the "portrait macro", because the focal length is also ideally suited for portraits. The Di version was adapted to the demands of digital SLR cameras and characterized by a new multi-coating with which the stray-light behavior of the lens was optimized. This light super performance (SP)* macro-lens offers a 1:1 magnification ratio and pin-sharp images with beautifully blurred backgrounds that make your subject stand out. The legendary 90mm F2.8 has been available in different improved versions for over 30 years, and therefore stands in a long macro tradition in the super performance series.
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